YOUR B-ROLL IS YOUR A-ROLL

What is Anthony's take on B-roll? How is it different from others? What is his secret tip for "bedroom B-roll?"

  He says that B-Roll should not be considered as secondary footage. He talks about how its basically everything in your documentary, all the actions. It also helps break up your interviews in case they get boring or long and hard to watch. The "bedroom B-roll" is basically shots that don't give away much information. This way the shot gives an "appropriate visual reference" to the footage.